- MORRIS Robert, Site. 1964. With Carolee Schneemann. Re-Enactment 1994 (commissaire de la Rétrospective Morris au Guggenheim, NYC : Rosalind Krauss) : « C’est Rosalind Krauss, commissaire de ma rétrospective de 1994 au Guggenheim qui a eu l’idée de filmer une version de Site, une performance […]
link - BYRNES Theresa, Trace. Performance (exploring our spiritual relationship with crude oil). 2007. " Crude oil is the blood of the planet, created by the compression and heating of ancient organic materials over geological time. Oil is formed from the preserved remains of prehistoric […]
- SCHNEEMANN Carolee, Up to and Including Her Limits. 1973-76. Performance. Live video relay. Crayon on paper, rope and harness suspended from ceiling. The Kitchen. NYC. Up To And Including Her Limits was the direct result of Pollock’s physicalized painting process… « I am suspended in a tree […]
- SCHNEEMANN Carolee, Fresh Blood : A Dream Morphology. Dual slide projection system with dissolve unit, pre-recorded and spoken text. Sound collage. Live relay vidéo feeds into four monitors. Red umbrella, red pajamas, watering can, door, raised table, etc. 1981-87. Based on a menstrual dream […]
- SCHNEEMANN Carolee, Eye Body. 36 Transformative Actions. 1963 (happening). Paint, glue, fur, feathers, garden snakes, glass, plastic with the studio installation « Big Boards ». Photographs by Iceland artist Erro, on 35 mm black and white film. Schneemann’s « Action for Camera » in which s […]
- SCHNEEMANN Carolee, Interior Scroll. 1975. East Hampton. Long Island. Performed in East Hampton, NYC and at the Telluride Film Festival, Colorado. Schneemann ritualistically stood naked on a table, painted her body with mud until she slowly extracted a paper scroll from her vagina while […]
- SCHNEEMANN Carolee, Ask the Goddess. 1993-97. The Vulva speaks : « If the traditions of patriarchy split the féminine into debased/glamorized, sanitized/bloody, Madonna/whore… fractured body, how could Vulva enter the male realm except as « neutered » or neutral… « castrated » ? » In this 1 […]
- SCHNEEMANN Carolee, Meat Joy. 1964 (happening). Judson Church, NYC. Group performance : raw fish, chickens, sausages, wet paint, plastic, rope, shredded scrap paper. First performed as part of the First Expression at The American Center in Paris, and later at Judson Memorial Church in NYC. « […]
- SAPIEN Darryl, Pixellage. 1983-84. San Francisco Opera House, with the San Francisco Ballet and choreographer Betsy Erickson. Ten dancers in white costumes interacteed with computer generated, animated scenery set to the music of Corelli played by a live orchestra. The synchronized […]
- SAPIEN Darryl, American Roulette. 1981. Solomon R. Guggenheim Museum, New York, NYC. A roulette table manned by two croupiers and crowded with eager gamblers sits at the center of the Guggenheim Rotunda. Depicted on the floor around the table is an exploded view a a roulette Wheel with […]
- SAPIEN Darryl, Hero, 1980-81. Videotape. Newport Harbor Art Museum, Newport, Ca. Victoria Theater, San Francisco, Ca., with Menno Meyjes, Saun Ellis, and J. E. Freeman. « Hero » explored aspects of the ‘hero myth’ in popular and archétypal forms. The performance explored the meanings of […]
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