Performances Danse Musique Théâtre

Mardi 26 août 2014 2 26 /08 /Août /2014 08:00

Quartucci Carlo 1964 Allestimento di Aspettando Godot Gêne

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Mercredi 21 mai 2014 3 21 /05 /Mai /2014 19:28

Forti Simone 1969 Huddle pf P. Moore

Forti Simone 1961 Huddle 1

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Dimanche 9 mars 2014 7 09 /03 /Mars /2014 10:04

Ichiyanagi Toshi 1961 Concert Hall Sogetsu Tokyo

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Mardi 4 mars 2014 2 04 /03 /Mars /2014 08:50

Brown Trisha Conpany 2011 (1973) Sticks

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Mercredi 26 février 2014 3 26 /02 /Fév /2014 10:31

Forti Simone 1960 Rollers

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Dimanche 23 février 2014 7 23 /02 /Fév /2014 10:08

Rainer Yvonne 1978 Trio A

- RAINER Yvonne, Trio A, 1966 (danse).

Yvonne Rainer (1934, USA) has been a key figure of the New York avant-garde since the 1960s. Together with Trisha Brown, Meredith Monk and a few others, she founded the influential Judson Dance Theater in 1962 and continued to develop her minimalist dance style. Influenced by Anna Halprin’s revolutionary improvisation technique, she emphasized everyday over virtuosic or dramatic movements while leaving room for coincidence as a creative factor. Her preoccupation with specific situations of everyday life; social, political and feminist issues; the marriage of performance and image and the construction of the gaze between the performer and the viewer inspired her to begin exploring experimental film and writing in the 70s.

Trio A is a well-known dance sequence by Yvonne Rainer. Since its first presentation in 1966 as part as the larger performance The Mind is a Muscle, Part 1 at Judson Memorial Church in New York, it has been performed repeatedly in various forms and contexts by dancers and non-dancers alike. The piece comprises a sequence of unpredictable movements that unfold in a continuous motion, deliberately opposing familiar dance patterns of development and climax. According to Rainer, ‘‘The individual sequences last from 4 1/2 to 5 minutes, depending on each performer’s physical inclination. Two primary characteristics of the dance are its unmodulated continuity and its imperative involving the gaze. The eyes are always averted from direct confrontation with the audience via independent movement of the head or closure of the eyes or simple casting down of the gaze.’’

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Mardi 8 novembre 2011 2 08 /11 /Nov /2011 13:33

Goebbels Meme soir 2000

Goebbels Meme soir 2000 1

Goebbels Meme soir 2000 3

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Mardi 8 novembre 2011 2 08 /11 /Nov /2011 08:29

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Samedi 5 novembre 2011 6 05 /11 /Nov /2011 19:02

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires
Lundi 5 septembre 2011 1 05 /09 /Sep /2011 15:43

Sapien Darryl Pixellage 83-84 1

SAPIEN Darryl, Pixellage. 1983-84. San Francisco Opera House, with the San Francisco Ballet and choreographer Betsy Erickson. Ten dancers in white costumes interacteed with computer generated, animated scenery set to the music of Corelli played by a live orchestra. The synchronized interaction involved five couples choreographed to move into and out of a continuously moving colorful backdrop. In three movements the music, the choreography and scenery coalesced in response to different rhythms and tempi. The imagery revolved around a subtle thème of maintaining one’s humanity in a incresingly dehumanizing world. « Pixellage » was the first large scale live treatrical production using animated scenery that was entirely computer generated.

Sapien Darryl Pixellage 83-84 2Sapien Darryl Pixellage 83-84 3Sapien Darryl Pixellage 83-84 4Sapien Darryl Pixellage 83-84 5Sapien Darryl Pixellage 83-84 6Sapien Darryl Pixellage 83-84 7

Par Olivier Lussac - Publié dans : Performances Danse Musique Théâtre - Communauté : Performance Art
Ecrire un commentaire - Voir les 0 commentaires

Présentation

Recherche

Liens

Calendrier

Septembre 2014
L M M J V S D
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30          
<< < > >>
Créer un blog gratuit sur over-blog.com - Contact - C.G.U. - Signaler un abus - Articles les plus commentés