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    <title><![CDATA[Olivier Lussac (Bibliographies)]]></title>
    <link>http://www.artperformance.org/categorie-10407322.html</link>
    <description>Les derniers articles publiés dans la catégorie &quot;Bibliographies&quot; du blog &quot;Olivier Lussac&quot;</description>

        <language>fr</language>
    
    
    <pubDate>Wed, 08 Feb 2012 03:28:09 +0100</pubDate>    <lastBuildDate>Wed, 08 Feb 2012 03:28:09 +0100</lastBuildDate>    <generator>Over-blog.com RSS 2.0 Engine</generator>    <copyright>Copyright 2012 www.artperformance.org</copyright>            <category>Bibliographies</category>    <docs>http://www.rssboard.org/rss-specification/</docs>                        
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        <title><![CDATA[Musique-Arts Sonores]]></title>
        <link>http://www.artperformance.org/article-19226822.html</link>        <description><![CDATA[	- Bain Mark et Beckett James, Museum of Noise, Heidelberg, KehrerVerlag, 2007. - Bijsterveld Karin, Mechanical Sound. Technology, Culture, and Public. Problems of Noise in the Twentieth Century, Cambridge, Massachussetts, Londres, The MIT Press, 2008. - Charles Daniel, La Fiction de la[...]]]></description>
        <pubDate>Tue, 03 May 2011 11:30:00 +0200</pubDate>        <guid isPermaLink="false">56eb915178949cf399072149709d6283</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19226822-6.html#anchorComment</comments>                    </item>
      <item>
        <title><![CDATA[Arts et communication, médias et sociétés, philosophie, sociologie et esthétique]]></title>
        <link>http://www.artperformance.org/article-19226606.html</link>        <description><![CDATA[	- Alpers Svetlana, "Le Musée : une manière de regarder", revue Les Cahiers du Musée national d'art moderne, Centre Georges Pompidou, n° 43, printemps 1993, p. 25-34. - Acting with Technology by V. Kaptelinin & B. Nardi. MIT Press. 2006. - Agamben Giorgio, Qu'est-ce qu'un dispositif ?, Paris,[...]]]></description>
        <pubDate>Tue, 03 May 2011 09:01:00 +0200</pubDate>        <guid isPermaLink="false">d1e2a5cc9a7192f22836d720ec25cc9a</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19226606-6.html#anchorComment</comments>                    </item>
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        <title><![CDATA[Performance Art]]></title>
        <link>http://www.artperformance.org/article-19226384.html</link>        <description><![CDATA[	- Abramovic Marina, Balkan Epic, Skira. 2006. (see Dvd Destricted) - Abramovic Marina, Sur la voie, Paris, Musée National d'Art Moderne, Centre Georges Pompidou, 1990. - Androula Michael, Les Happenings de Jean-Jacques Lebel. Paris. Hazan. 2009 - Arte Immateriale. Arte Vivente, Collectif,[...]]]></description>
        <pubDate>Tue, 03 May 2011 08:45:00 +0200</pubDate>        <guid isPermaLink="false">0a1740334066debc29afe2efa97b70ce</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19226384-6.html#anchorComment</comments>                    </item>
      <item>
        <title><![CDATA[Installation Art/Art et technologie]]></title>
        <link>http://www.artperformance.org/article-24012041.html</link>        <description><![CDATA[	- Carter Michael & Geczy Adam, Reframing Art. Berg Publishers, 2005. - Costa Mario, Internet et globalisation esthétique, Paris, L'Harmattan, 2003. - de Oliviera Nicolas, Installation Art, Thames & Hudson. 1996. - What is Installation ?, ed. A. Geczy & B. Gennochio. Power (Sydney), Australia,[...]]]></description>
        <pubDate>Tue, 03 May 2011 08:08:00 +0200</pubDate>        <guid isPermaLink="false">8377c4f63a3041dab1af3ceaa2902499</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-24012041-6.html#anchorComment</comments>                    </item>
      <item>
        <title><![CDATA[Minimalisme-Postminimalisme]]></title>
        <link>http://www.artperformance.org/article-23620225.html</link>        <description><![CDATA[	– Bear Liza, Richard Serra Interview, 1970-1980, NYC, Yonkers, The Hudson on River Museum, 1980. – Bois Yves-Alain, Richard Serra, Paris, Centre G. Pompidou, 1983. – Charre Alain, MacDonald Marie-Paule, Perelman Marc, Dan Graham, Paris, Dis-Voir, 1995. – Criqui Jean-Pierre, "Introduction à la[...]]]></description>
        <pubDate>Tue, 03 May 2011 08:07:00 +0200</pubDate>        <guid isPermaLink="false">a4694778c4af3b0f74c5f16fe5915931</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-23620225-6.html#anchorComment</comments>                    </item>
      <item>
        <title><![CDATA[Design, arts et architecture]]></title>
        <link>http://www.artperformance.org/article-19251185.html</link>        <description><![CDATA[	- Art becomes Architecture becomes Art. A Conversation between Vito Acconci et Jenny Schachter, moderated by Lilian Pfaff. Vienne, New York, Springer Verlag, 2006. - Coles Alex, Design and Art, edited. Cambridge, Massachussetts et Londres, The MIT Press, 2007. - Dan Graham, Alain Charre,[...]]]></description>
        <pubDate>Tue, 03 May 2011 07:14:00 +0200</pubDate>        <guid isPermaLink="false">adc908a61f0a4088fc173cdb7e8cb27a</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19251185-6.html#anchorComment</comments>                    </item>
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        <title><![CDATA[Performing Arts]]></title>
        <link>http://www.artperformance.org/article-19309673.html</link>        <description><![CDATA[	- Anker Verena, Digital Dance: the Effects of Interaction between New Technologies and Dance Performance, VDM Verlag. 2008. - Banes Sally, Democracy's Body. Judson Dance Theater 1962-1964, Durham, Londres, Duke University Press, 1995. - Banes Sally, Greenwich Village 1963. Avant-Garde[...]]]></description>
        <pubDate>Sat, 20 Dec 2008 15:55:00 +0100</pubDate>        <guid isPermaLink="false">12b7ccd3a40491aa0c32cddd29409ed3</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19309673-6.html#anchorComment</comments>                    </item>
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        <title><![CDATA[Viola Bill]]></title>
        <link>http://www.artperformance.org/article-23908504.html</link>        <description><![CDATA[	Selected Artist's Writings Bill Viola: Statements by the Artistcat.). Introduction by Julia (exh. Brown. Angeles: Museum of Contemporary Art, 1985. Reasons for Knocking at an Empty Writings 1973–1994. Edited by Robert Violette with Bill Viola. Cambridge, Bill Mass.: MIT Press; London: Thames[...]]]></description>
        <pubDate>Mon, 20 Oct 2008 09:53:00 +0200</pubDate>        <guid isPermaLink="false">6881ae3f211dcffcf7062e28fc30e078</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-23908504-6.html#anchorComment</comments>                    </item>
      <item>
        <title><![CDATA[Wiener Gruppe-Wiener Aktionismus]]></title>
        <link>http://www.artperformance.org/article-19046291.html</link>        <description><![CDATA[	- F. Achleitner, H. C. Artmann, K. Bayer, G. Rühm et O. Wiener, Die Wiener Gruppe. The Visual Works and The Actions. A Moment of Modernity 1954-1960, Venise, Biennale et Vienne, New York, Springer, 1997 (avec cdrom).- E. Badura-Triska et H. Klocker, Rudolf Schwarzkogler. Leben und Werk,[...]]]></description>
        <pubDate>Fri, 25 Apr 2008 16:31:00 +0200</pubDate>        <guid isPermaLink="false">f08ad333080ef6a3e5013efd76e5c1bd</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19046291-6.html#anchorComment</comments>                    </item>
      <item>
        <title><![CDATA[Fluxus]]></title>
        <link>http://www.artperformance.org/article-19036110.html</link>        <description><![CDATA[	- W. Baerwaldt, Under The Influence of Fluxus, catalogue Vérone-Milan, Éditions Conz, Plug-in Inc.- Joseph Beuys, Qu'est-ce que l'art ?, entretien avec Volker Harlan, Paris, L'Arche, 1992 (trad. de Laurent Cassagnau).- A. Danto et G. Hendricks, What’s Fluxus ? What’s Not ! Why, Centro Cultural[...]]]></description>
        <pubDate>Fri, 25 Apr 2008 09:11:00 +0200</pubDate>        <guid isPermaLink="false">4ae5cc925c23e9ba893e38f4bcf08f0c</guid>
                <category>Bibliographies</category>        <comments>http://www.artperformance.org/article-19036110-6.html#anchorComment</comments>                    </item>
  
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